In the last few weeks of the IB course at my school I thought it would be a good idea to work with the director’s notebook for next year. So, this is what we did:
Stage 1 – research
- I chose a play that could be divided into many sections so that 2 moments could be selected (‘Love and Information’ by Caryl Churchill).
- Read the entire play aloud as a class
- As a group researched the context of the playwright – shared our research and sources on google docs
- Shared with our partner mentor what our personal context was – then shared a group
- We then went on to research the play a little more, as a group, and looked at the theoretical context
- I then ran a short workshop on Artaud and Brecht
- Students carried out research on the theorists and shared their findings as a group and discussed how aspects of the practices could be applied in performance
Stage 2 – practical exploration
For class the students chose the 2 sections they wanted to work on in performance and prepared for their directorial with actors. In the process they needed to cover (image source):
- Their own personal context and reason for choosing this scene
- Their vision for the scene
- Their intended impact on the audience
- How they viewed movement and staging in the scene
- Any set, props, costume, colours, lights etc they visualised
- Outline of the characters: relationships, intentions, characteristics
- Do the movement with the actors
- Show to the rest of the class for feedback – whether intended impact was achieved
Stage 3 – practical work and development
We then worked on another scene following the same process, but also included the following:
- What did you need to work on to improve the first scene?
- What do you need to change to achieve intended impact?
- Show the scene again. What else have you achieved?
- Work on second scene.
- Again, why did you choose this? What do you want? What did the playwright intend and how are you building on this?
Stage 4
Students then created their director’s notebook based on their research, shared notes, practical exploration, directorial notes and designs.
These were assessed using the IB Theatre Guide assessment criteria.