The senior examining and assessment teams have been looking through examples of work submitted in the recent visual arts examination sessions (May and November 2017 and 2018) in order to find helpful samples for teachers.
It has become clear that occasionally art teachers award marks for the exhibition component that do not really reflect the quality of the work submitted. When this happens, the marks are usually too generous, although in a few cases they are too harsh.
Either way it’s not good for the students to be, let’s say, unintentionally misinformed by the teacher in relation to how well they are doing.
It should go without saying that of course teachers need to know what the visual arts standards are in order for them to be able to accurately assess the work that their students create.
So, examiners and moderators have been looking at examples of great and not so great student work to provide teachers with a better idea or what success and/or failure might look like.
A couple of exhibition uploads caught my eye. Both were reasonably high scoring, but not ‘top marks’ (24/30 and 28/30) and interestingly neither were about protest (moderators see a lot of exhibitions that tend to follow a very predictable “raising awareness” of concerns formula).
Both exhibitions were very much about thoughtful awareness of the immediate environment, with art that focused on what was happening around the student – their locations, their families, their place in the world. One student was in China and the other was in the UK, but both in their different ways met the expectations of the programme.
These themes were elaborated, with frequently complex imagery, leading to achievement in conceptual terms; there were links between individual artworks, and processes and techniques were well selected and applied (contributing towards coherence); and technical competence was consistently assured.
Was there a theme? Yes. Having a theme is not necessarily a bad thing. Both these cases are examples of how a theme can be successful. It was successful because the students adopted an inquiring, creative, and imaginative approach. The theme was not a constraint, but a launch pad.
In some ways this was a modest, even humble, theme, starting in the home (apartment or house) and working outwards and inwards.
Both exhibitions were intelligent, masterful and revealing, both still asked questions, and both were successful.
Coincidentally, last week I visited a nearby art gallery that was showing a small exhibition of Impressionist paintings.
While there I was reminded of the student artworks discussed above: students/artists observing and capturing moments of their lives through thoughtful observation of the world around them.
Admittedly, these impressionist paintings did not look like some of the student artworks (that has a more contemporary feel), but they shared a similar purpose and concept – exploring and refining the local, the immediate, the things and people that surround us.
All photographs taken by me at the Lightbox.
Artworks on display in the “Impressionism: The Art of Life” exhibition.